Elkins (see Architectural Digest, January 2000) was born in Milwaukee, the younger sister of the renowned Chicago architect David Adler. When Adler studied architecture at the école des Beaux-Arts in Paris, from 1908 to 1911, Elkins joined him on forays throughout Europe, where they met several architects and designers who were inaugurating their own careers. She was drawn especially to the work of Jean-Michel Frank, the French interior and furniture designer, and Alberto Giacometti, the sculptor who designed fixtures for Frank. Eventually she would promote both of them through her California-based interior decorating business, which she established in 1918.
Elkins's career evolved shortly after she and her husband purchased Casa Amesti, a historic adobe in the seaside town of Monterey, California. Her friends were appalled when they saw the crumbling structure. Elkins, however, welcomed the challenge of restoring the 1830s building and assured her friends that once she and her brother applied their talents, the house would be transformed into the showplace of Northern California.
Adler and Elkins's unorthodox integration of diverse architectural styles and period pieces made Casa Amesti distinctive and original. For example, in the sala, on the second floor, the classical details that Adler added—a dentil cornice, fluted door casings and a pedimented overmantel purchased in England—were juxtaposed with the adobe's thick plastered walls and plank ceiling. The room's highly polished redwood floors served as a foundation for Elkins's harmonious mixture of English, French and Chinese furnishings, which she arranged symmetrically, in accordance with Adler's design principles. A strict palette of blue, yellow and white—her favorites—also unified the interior.
CURRENT APPLICATIONS
Notice how the modern day version has less to it meaning there are no cushions and there are more cut outs (holes on the seat).
Also, below is a picture of a modern day interior with the application of the loop chair. This shows how the loop chair can be seen in a modern setting, contemporary setting or traditional setting especially because her interiors were more traditional based, so it is neat to see it in a modern day interior as well.

EXTRA CREDIT VIDEOS
https://www.youtube.com/watch?v=bLL09zbxlG0
https://vimeo.com/188222297
PEER REVIEWS:
Courtney: I like how you talked about Dorothy because she is one designer that really interests me. The photo of your modern day application is interesting to see how it relates back to her designs from the 1900's.
Megan: I really liked the photos that you used to show Clodagh's design. The designs are neat because I have never seen anything like it. My favorite photo you showed was the second one because the lights are very intriguing.